2025-2026 Season
Murder On the Orient Express
OCTOBER 10-12TH
Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed eight times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again. - Concord Theatricals
WIT STATE ONE ACT @ UW - STEVEN’S POINT: NOVEMBER 12TH
Vivian Bearing, Ph.D., a renowned professor of English who has spent years studying and teaching the brilliant and difficult metaphysical sonnets of John Donne, has been diagnosed with terminal ovarian cancer. Her approach to the study of Donne: aggressively probing, intensely rational. But during the course of her illness—and her stint as a prize patient in an experimental chemotherapy program at a major teaching hospital—Vivian comes to reassess her life and her work with a profundity and humor that are transformative both for her and the audience. - Dramatists Play Service Inc.
Pride, Prejudice, and the Undead
DECEMBER 12-14TH
In Regency-era Hertfordshire, the Bennet sisters juggle suitors, snobbery, and a zombie apocalypse. While Mrs. Bennet schemes to wed them to rich bachelors like Bingley and the prickly Darcy, a cursed force unleashes shambling horrors on the countryside. With sharp wit and sharper pokers, Elizabeth leads her sisters in a darkly funny fight for survival, dodging undead claws and social slights alike. Pride, Prejudice, and the Undead mixes Austen’s romance with ghoulish laughs and chilling thrills.
Hadestown: Teen Edition
MARCH 12-15TH
This intriguing and beautiful folk opera delivers a deeply resonant and defiantly hopeful theatrical experience. Following two intertwining love stories – that of young dreamers Orpheus and Eurydice, and that of immortal King Hades and lady Persephone – Hadestown invites audiences on a hell-raising journey to the underworld and back. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell’s beguiling sung-through musical pits industry against nature, doubt against faith, and fear against love. - Concord Theatricals